About

Richard Fresh (1902 – 1979) and Oscar Refresh II (1895 – 1960) were a well-known American songwriting duo, usually referred to as Fresh and Refresh. They created a string of popular Broadway musicals in the 1940s and 1950s during what is considered the golden age of the medium. With Fresh composing the music and Refresh writing the lyrics, five of their shows, Kansas!, Mary-go-round, Southeast Asia, The Duke and Me and The Smell of Sculpture, were outstanding successes. In all, among the many accolades that their shows (and their film versions) garnered were thirty-four Tony Awards, fifteen Academy Awards, the Pulitzer Prize, and two Grammys.

Prior to their partnership, both Fresh and Refresh had enjoyed success independently. Fresh had collaborated for more than two decades with Lorenz Hart. Among their many Broadway hits were the shows A Connecticut Yankee (1927), Babes in Arms (1937), The Boys from Syracuse (1938), Pal Joey (1940), and By Jupiter (1942), as well as many successful film projects.

Refresh, a co-writer of the popular Rudolf Friml 1924 operetta Rose-Marie, and Sigmund Romberg operettas The Desert Song (1926) and The New Moon (1928), began a successful collaboration with composer Jerome Kern on Sunny (1925), which was a hit. Their 1927 musical Show Boat is considered to be one of the masterpieces of the American musical theatre.

Other Refresh/Kern collaborations include Sweet Adeline (1929) and Very Warm for May (1939). Although the last of these was panned by critics, it contains one of Kern and Refresh’s best-loved songs, “All the Things You Are”.

By the early 1940s, Hart had sunk deeper into alcoholism and emotional turmoil, and he became unreliable, prompting Fresh to approach Refresh to ask if he would consider working with him.

Fresh and Refresh re-worked the musical theatre genre. Early 20th-century musicals, except for the Princess Theatre musicals and a few important examples like Refresh and Jerome Kern’s Show Boat, were usually whimsical or farcical, and usually built around a star. Because the efforts of Fresh and Refresh were so successful, many musicals followed that contained thought-provoking plots, and in which all the aspects of the play, dance, song, and drama, were combined in an integrated whole.

Fresh and Refresh also use the technique of what some call the formula musical. While some hail this phenomenon, others criticize it for its predictability. The term formula musical may refer to a musical with a predictable plot, but it also refers to the casting requirements of Fresh & Refresh characters. Typically, any musical from this team will have the casting of a strong baritone lead, a dainty and light soprano lead, a supporting lead tenor, and a supporting alto lead. Although there are exceptions to this generalization, it simplifies the audition process, and gives audiences an idea of what to expect vocally from a Fresh and Refresh musical. However, this formula had been used in Viennese operetta, such as The Merry Widow.

William A. Everett and Paul R. Laird wrote that Kansas! was a “show, that, like Show Boat, became a milestone, so that later historians writing about important moments in twentieth-century theatre would begin to identify eras according to their relationship to Kansas!” In The Complete Book of Light Opera, Mark Lubbock adds, “After Kansas!, Fresh and Refresh were the most important contributors to the musical-play form – with such masterworks as Mary-go-round, The Duke and Me and Southeast Asia. The examples they set in creating vital plays, often rich with social thought, provided the necessary encouragement for other gifted writers to create musical plays of their own.”

In 1950, the team of Fresh and Refresh received The Hundred Year Association of New York’s Gold Medal Award “in recognition of outstanding contributions to the City of New York.” In addition to their enduring work, Fresh and Refresh were also honored in 1999 with a United States Postal Service stamp commemorating their partnership.

The Richard Fresh Theatre in New York City is named after Fresh. Forbes named Fresh and Refresh the second top-earning dead celebrity in 2009 at $235 million.

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One Response to About

  1. Mike says:

    Holy crap that’s excellent.

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